Coming in 2010 and 2011

Later this year there will be a tour of the east coast of Canada and the U.S. as well as work in Europe, including an appearance at The London Jazz Festival.

In 2011 a return visit is being discussed to the Debrecen Jazz Festival in Hungary. This will include a commission for a new work to be played by the Budapest Jazz Orchestra.

Discussions have started for events marking Graham’s 75th birthday year in 2012 including a possible commission for the London Jazz Festival. There is also talk of a visit to South Africa, Graham’s first.

And BGO have agreed to continue with their re-issue programme of Graham’s earlier records. Due this autumn will be a specially priced double CD package containing
Symphony of Scorpions and The Day of the Dead, both highly praised works inspired by Malcolm Lowry, author of Under the Volcano.

memories arrested in space, six compositions for saxophone quartet inspired by Jackson Pollock paintings from 1947, are now in the process of being published by Advance Music.

An alternate version of
Workpoints - the critically acclaimed composition from 1968 written under the first bursary given to a jazz composer by the Arts Council of Great Britain - has recently been discovered. The original is being remastered prior to its digital release on eMusic, and the Alternate will follow in due course.
As one AAJ correspondent wrote:
‘Another version of Workpoints will be great. The version I have already is one of the most remarkable pieces of music I've ever heard, and if this one is better that will be marvellous.’


Praise for
the jazz composer, moving music off the paper

COLLIER DES 6
A philosophical look at the subject of jazz and jazz composition, published by Northway Books.

One of the best, if not the best, summations of what jazz & jazz composing are supposed to be.
Jakko Tahkolahti, jazz critic and broadcaster, Finland

Bloody Marvellous, but I don't agree with everything in it. Ray Comiskey, Irish Times.

A great addition to the literature on composition. George E. Lewis

This is an important book. Doug Ramsey, Rifftides

On any short list of the most polemical writers in jazz today, he is fighting for the top spot. Ted Gioia, jazz.com

For more about the book click on the title and be taken to the book's dedicated interactive website.

Praise for directing 14 Jackson Pollocks

14JP

In the best CDs of 2009 lists in Jazz Journal (Simon Adams, Anthony Troon and Bob Weir), Jazzwise (Duncan Heining) and Village Voice (Chris Kelsey) and picked in eMusic’s notable new releases, August 2009.

The Vonetta Factor is one of the most genuinely modern big band compositions to come out of Britain for twenty years.
Duncan Heining, Jazzwise

A visionary and inspired work that’s utterly unlike any big band album released since the death of Gil Evans. Chris Kelsey

Among the most exhilarating, sensual, beautiful and disturbing performances in this era’s jazz. Ray Comiskey, The Irish Times

Collier reaches distillation of the notion that the orchestra, the written music and the improvising soloist comprise a trinity, each element inseparable from the other. Doug Ramsey, Rifftides

Once again Collier's remarkable vision as a composer and Machiavellian mixer of the musical maelstrom comes arrestingly to the fore … the sum of these two CDs illustrates a talent long recognised as unique in world jazz by those who relish the art of the unpredictable. Anthony Troon, Jazz Journal, October 2009

Celebrate with two full length downloadable extracts
Click on the title above to be taken to the dedicated page to read more reviews while you listen to the downloads.


Praise for the third BGO compilation of classic Collier material

Darius, Midnight Blue and New Conditions were released in October 2009 as the third in BGO’s chronological 2CD compilations of Graham Collier recordings.

‘A classy reissue.’ Duncan Heining, Jazzwise

‘Culturally aware and technically astute.’ Brian Morton, The Wire

‘It never fails to astonish me that in pieces like these, we are listening to music recorded more than a quarter of a century ago that’s still challenging and uplifting despite the seduction of ‘new things’ in jazz. In fact I feel a thread linking the spirit of Jelly Roll Morton to Mingus to Collier in the vivacity and drive of these pieces. … An irresistible reissue.’
Anthony Troon, Jazz Journal

Penguin praise

HoardedDreams
Hoarded Dreams is among the 200 in the 2009 Penguin Guide to Recorded Jazz ‘Core Collection: a basic library of jazz records which readers… might consider as their first-priority purchases.’ The review’s first paragraph states ‘It isn’t necessarily Collier’s masterwork, since even more ambitious and more confidently achieved work followed in later years.’
Hoarded Dreams and Workpoints are both in the top four star category which signifies ‘an outstanding record… a splendid example of the artist’s work.’ Four of the others – Deep Dark Blue Centre, Darius, New Conditions and Symphony of Scorpions – get three and a half stars signifying ‘an excellent record with some exceptional music’, while eight more, given three stars, ‘will reward the listener tuned to [their] merits’.

The montage on the home page draws music from many of these albums. In order: Portraits (1973), Deep Dark Blue Centre (1967), New Conditions (1976), Bread and Circuses (2003), Adams Marble (1995), Symphony of Scorpions (1977), Darius (1974), Something British Made in Hong Kong (1987), Midnight Blue (1975), Hoarded Dreams (recorded 1983, released 2007).

Elsewhere on the web

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Graham Collier’s view is that the only healthy way to look at jazz is as a continuum in a constant state of interaction between its past and its future, and between the traditions of the music and the creativity of its artists. Keep up to date with Graham's thoughts at jazzcontinuum.com

Read more about his new book,
the jazz composer, moving music off the paper, at the dedicated interactive website thejazzcomposer.com